We need to conjoin these modifiers (if they're modifying the same thing), or change one of them to modify something else. Subject, adverbial modifier, adverbial modifier, verb. The problem, though, is that we can't stack two modifiers in a row if they're modifying the same thing. The core of the sentence here is "monks communicated." The other pieces are modifying: "through their manuscript illuminations" tells us how they communicated, as does "meticulously embellishing." Because they're telling us how, these are both adverbial modifiers. On this basis I rejected C.Ī) Medieval monks, through their manuscript illuminations, meticulously embellishing the elaborate calligraphy, communicatedī) Through their manuscript illuminations, meticulously embellishing the elaborate calligraphy, medieval monks communicatedĬ) Through their manuscript illuminations, with which they meticulously embellished elaborate calligraphy, medieval monks communicatedĭ) Meticulously embellishing the elaborate calligraphy, medieval monks, through their manuscript illuminations communicatedĮ) Medieval monks, through their manuscript illuminations, meticulously embellished them and communicated In choice C, the main subject "medieval monks" becomes non essential. Through their manuscript illuminations, with which they meticulously embellished elaborate calligraphy, medieval monks, communicated their interpretive understanding of the texts they illustrated. , communicated their interpretive understanding of the texts they illustrated. This means comma is not part of "Sentence Correction" and the sentence reads as There is a comma after "elaborate calligraphy" and that comma is missing in all of the answer choices. If OA is C, then as per my understanding OA is incorrect because of placement of comma. The exquisite refinement of the faces in the illumination is echoed in those of Anna and Mary in the Visitation group, with their delicate features and smoothly rounded, subtly painted cheeks.Medieval monks, through their manuscript illuminations, meticulously embellishing the elaborate calligraphy, communicated their interpretive understanding of the texts they illustrated.Ī)Medieval monks, through their manuscript illuminations, meticulously embellishing the elaborate calligraphyī)Through their manuscript illuminations, meticulously embellishing the elaborate calligraphy, medieval monksĬ)Through their manuscript illuminations, with which they meticulously embellished elaborate calligraphy, medieval monksĭ) Meticulously embellishing the elaborate calligraphy, medieval monks, through their manuscript illuminationsĮ)Medieval monks, through their manuscript illuminations, meticulously embellished them and Pierpont Morgan: the Visitation group (17.190.724), of about 1310, attributed to Master Heinrich of Constance, and the Vierge Ouvrante (17.190.185), of about 1300, with paintings on the insides of the hinged panels illustrating scenes from the Infancy of Christ. Our illumination was an especially welcome addition to the Metropolitan's collection because of two well-known and stylistically related Middle and Upper Rhenish polychromed wood sculptures, both also the gifts of J. Another cutting from the same manuscript is now in the J. Common to the Metropolitan Museum's leaf and the Gradual are the foliate terminals of each letter and the concentric circles in its stem, as well as the elongated figures, with their detailed features and hair. Dating to about 1300, it was probably painted by the Dominican nuns at the convent of Sankt Katharinenthal on Lake Constance. The cutting once was part of a Gradual that has been preserved since 1866 in the Germanisches Nationalmuseum, Nuremburg (Hdscr. The letter R is the opening of the Introit, or entrance hymn, "Rorate caeli de super" ("Drop down dew, you heavens, from above"), sung on March 25, the Feast of the Annunciation, to celebrate the Archangel Gabriel's announcement to the Virgin Mary that she would be the mother of Jesus. His right hand raised and his wings outstretched, he addresses the Virgin Mary, who stands before him and lifts both hands as the dove of the Holy Ghost whispers in her ear. The barefoot angel wears a simple salmon-colored tunic, belted at the waist, and holds a staff. Protected by the arching curve of the blue-and-white letter R, the standing figures of the Archangel Gabriel and the Virgin Mary are set against a burnished gold background.
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